| Abstract [eng] |
Noise phenomenon in music is a widespread and complex topic that has been extensively analyzed by musicologists from various perspectives, including semiotics, composition, experimentation and social criticism. This research aims to examines the role of noise in music, its historical development, its utilization in compositional music, its complexity and the absence of aesthethic criteria for evaluating it. Several important questions are addressed in this study: what is the typology of noise? How is noise perceived? What are the boundaries between noise and music? What is relationship between noise and dissonance? What compositional strategies does noise music employ? What parameters does noise music utilize? What are the latest techniques for noise composition? The primary objective is to analyze and discuss the phenomenon of noise in music. Three distinct music pieces have been chosen for analysis, employing spectograms and descriptive methods. A conclusion can be drawn that noise is a multifaceted and intricate phenomenon that defies a singular explanation, as it is culturally influenced, subjective, and continually evolving. However, from a broader perspective, the prevalence of noise and its emancipation in music are increasing due to the extensive utilization of rhythm and the emergence of modern genres. |
