| Abstract [eng] |
In this artistic study, the synthesis of voice acting and voice transformation, their application in sounding in the mono - performance is studied. The peculiarities of voice acting were analyzed, the applicability of vocal techniques in transforming the voice and playing with the voice was described. The reactions of the audience after the heard performance are integrated into the study. Autoethnography was chosen to reflect and record artistic practice, where with the help of diaries, voice recordings and drawings, the author's personal and deep experiences were recorded. On the basis of the collected material and acquired tools on the transformation of the voice and the acting of the voice, mono- performance "Kantan" was created. In Lithuania, too little attention is paid to the synthesis of voice acting and voice transformation. Systematized material about voice acting and its transformations can be useful for further studying this topic, creating roles in radio theater, dubbing films, audiobooks, etc. |
