Title Fiksuoto ir nefiksuoto muzikinio teksto santykis Italų baroko vokalinėje muzikoje: teorija ir atlikimo praktika
Translation of Title The Relation between the Fixed and Non-Fixed Musical Texts in the Italian Baroque Vocal Music: Theory and Performance Practice.
Authors Vosyliūtė, Rūta
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Pages 268
Keywords [eng] vocal music ; performance ; music theory
Abstract [eng] The subject of Rūta Vosyliūtė’s artistic research paper “The relation between the fixed and non-fixed musical texts in the Italian baroque vocal music: theory and performance practice” reveals the phenomenon of partially or incompletely notographically fixed musical text in baroque music. The paper relies upon modern 20th-century research into the science of textology, which brings out a new approach to text – as notography which is recorded with signs and the acoustic form of music. The author seeks to systematise and offer a relevant interpretation of the technical instructions of fixed and non-fixed musical texts of Italian baroque, to reveal and give a sense to the correlations of vocal technique with the conditionality of the verbal text, the theory of affects and rhetoric situations as well as to provide a critical account of the traditions of improvisational art established by the authors of theories on baroque performance practice and performers/virtuosos from the point of view of the evolution of vocal technique. Purpose of the research – to reveal the specificity of da capo aria, as fixed and non-fixed Italian musical text of late 17th – 18th centuries based on examination of historical resources of Baroque vocal technique. Stages of the development of the genre serve as basis for the analysis of vocal ornamentation – the change of short and long vocal embellishments. The research raised an objective to transcribe da capo arias by different Italian composers expressing diverse affects.
Dissertation Institution Lietuvos muzikos ir teatro akademija.
Type Doctoral thesis
Language Lithuanian
Publication date 2018