| Abstract [eng] |
This study provides an analysis of Frederic Chopin's Ballade No. 4, Op. 52, exploring various aspects of the composer's composition, musical language, and style, as well as examining the interpretations of three different pianists. The first chapter discusses the most significant features of the composer's work, including the subtleties of melody, harmony, form, genre, and rhythm, which reveal the compositional innovation of Ballade No. 4, Op. 52. Additionally, a review of published editions is conducted to identify the difficulties encountered by editors in seeking to determine the most authentic version of the composer's ballad. The second chapter analyzes the performances of pianists A. Cortot, K. Zimerman, and Lang Lang of Ballade No. 4, Op. 52, and compares the subtleties of tempo, dynamics, articulation, and mood evident in their interpretations. |
