| Abstract [eng] |
This thesis examines the development of extended percussion techniques in the second half of the 20th century – 21st century via the phenomenon of body percussion in the works of Vinko Globokar. It discusses the concepts related to percussion instruments, their classifications, and examples of extended techniques. The work encapsulates the concept of body percussion via the repertoire of contemporary instrumental music and pedagogical practice. It provides an overview of the life and works of composer Vinko Globokar, discusses his use of body percussion, and explores the notation and performance features of the piece "?Corporel". The work consists of an introduction, chapters, conclusions, and a list of references. The introduction presents the topicality of the subject, the aim, object, tasks, and study methods. The first chapter describes the types of extended techniques and performance methods of percussion instruments. The second chapter introduces the work of Vinko Globokar and provides a structural analysis of the work "?Corporel", examples of body percussion notation, performance possibilities, and techniques. |
