| Abstract [eng] |
This master's thesis, conducted at the Lithuanian Academy of Music and Theatre, explores the creation of film soundtracks using headphones as the primary monitoring format. The research examines the related technologies, theoretical foundations, and practical applications, emphasizing the potential and limitations of binaural audio technology. The thesis highlights the changes in film viewing habits accelerated by the pandemic, which have increased the number of home screenings and led to a reevaluation of traditional sound formats. The possibility of creating film soundtracks specifically tailored for headphones using immersive sound technologies to enhance the viewer's experience is analyzed. Historical and contemporary practices in film sound production are reviewed, from silent cinema to modern digital surround sound formats such as Dolby Stereo and 5.1 speaker systems. The research underscores the importance of immersive sound, which enhances viewer engagement through spatial audio experiences. The thesis thoroughly examines modern immersive headphone technologies, with a particular focus on binaural audio technology. The study demonstrates the creative and technical potential of binaural sound, illustrated by the example of director Sam Green's film "32 Sounds," which successfully employed binaural audio technology in combination with traditional sound system elements. The advantages and disadvantages of using binaural sound in film post-production are critically assessed. It is argued that binaural monitoring can simplify the production process, especially for low-budget films, by enabling sound designers to make better-informed decisions. The practical application of these methodologies is illustrated through the creation of the short film "Mėta." Reflections on this project provide valuable insights into the practical applicability and effectiveness of binaural audio technology in real-world conditions. The conclusion states that the use of headphones and binaural audio technology for film soundtrack creation offers significant advantages in terms of cost efficiency and creative flexibility. However, challenges related to translating these soundtracks to traditional speaker systems are also highlighted, and key guidelines for achieving smooth and effective compatibility are presented. The thesis includes a comprehensive list of references and appendices with additional data and materials. This research contributes to the academic discourse on film sound production, emphasizing the potential of binaural audio technology and its significance for future immersive cinematic experiences. |
