| Title |
H. Purcello muzikos rekomponavimas ir kūrybos principų realizavimas B. Britteno vokaliniuose cikluose |
| Translation of Title |
Recomposition of Henry Purcell‘s music and realisation of his creative principles in Benjamin Britten‘s vocal cycles. |
| Authors |
Muralytė-Eriksonė, Giedrė |
| Full Text |
|
| Pages |
166 |
| Keywords [eng] |
B. Britten ; H. Purcell ; vocal music ; realisation ; recomposition |
| Abstract [eng] |
The aim of the Giedrės Muralytės-Eriksonės artistic research project „Recomposition of Henry Purcell‘s Music and Realisation of his creative principles in Benjamin Britten‘s Vocal Cycles“ is, upon the analysis of Britten-Purcell realisations, to reveal the various influences of Purcell on Britten's cycles for voice and piano as well as the impact of the realisations on Britten's original cycles for voice and piano. Based on comparison with the concept of recomposition, the semantics of the term of realisation was explored and justified its applicability to Britten's works to identify the influence of the said phenomenon on Britten's original cycles for voice and piano. To relate the theories of microthematicism and intertextuality and to apply them to the analysis of Britten-Purcell songs from the collection Orpheus Britannicus as well as of Britten's cycles for voice and piano Winter Words Op. 52 and Sechs Hölderlin-Fragmente Op. 61. The project also aims to relate the concept of interpretation to the overall architectonics of the composition and to draft interpretation guidelines, based on the theory of microthematicism, which could be useful for performers. |
| Dissertation Institution |
Lietuvos muzikos ir teatro akademija. |
| Type |
Doctoral thesis |
| Language |
Lithuanian |
| Publication date |
2020 |
